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BOSOM FRIENDS
16+
BEIJING PEOPLE’S ART THEATER (CHINA)

Historical drama
Script by Guo Qihong
Main Stage
2 h. 35 min.
With intermission
REN MING
Director
GUO QIHONG
Playwright
HUANG SHUDONG
Stage Manager
GUO BIN, LI QI
Technical Director
LUI YUMING, CHEN YONGAN, LI BIAO, REN CHONG, YIN JUNZUO, MA JINGCHEN, MA ZHENHAI, LI WANPU
Stage
FANG YI, SU YANAN, JIANG WEI, KANG LONG, ZHOU HE, CHEN TAO
Lighting
YAN NI, WANG WEIWEI
Costume

MENG BIN
Lighting Designer
BIAN YAN, CHEN FENGYAN
Props
HU MENG
Sound
YING SHU, SUN LULU
Makeup
YANG KAIQIANG
Painter
LAN QIBIAO, SU XIN
Exhibition staffs
XU WEIDONG, CAO YOUBIN
Documentary staffs

WU XINGXIANG, LI CHUNGUANG
Photographer
TONG MIAO
Accountant
YANG LIPING
Doctor
GUAN HUI
International Coordinator
MA YIDE
Simultaneous Translation
YANG XUAN
Subtitles

FENG YUANZHENG
Gu Zhenguan
ZHANG ZHIZHONG
Wu Zhaoqian
WANG LEI
Nalan Xingde
WANG GANG
Ming Zhu

ZHANG YONGQIANG
Xu Qianxue



CONG LIN
An Tu
LONG YIYI
White Cloud Maid
LIANG DANNI
Apricot Flower
CHENG LISHA
Wu Wenrou
XU CENZI
Chilly Flower Maid

ZOU JIAN
Master Tong
LEI JIA
Master Niu
YAN WEI
Master De
YANG JIAYIN
Master Na
LI LIN, HE JING
Guards

LEI JIA, HE JING, YAN WEI, YANG MINGXIN
Ministers

LI LIN, YANG JIAYIN
Scholars




Bosom Friends is a philosophical contemplation about friendship and try-out of human spirit based by dramatist Guo CIHONG’s will on the historical story lines of ancient Chinese literature.

The action is taking place in the early period of the Qin Dynasty.

Poet Gu Zhen Guang, in order to save his friend poet Zhao Cyang who became a guiltless victim of a bribery case, takes a job at the palace of Ming Zhu. In a commotion of spirits, Gu Zhen Guang writes a Song of Golden Thread. Thanks to friends’ efforts, Zhao Cyang gets a chance to come back from the exile, but he came back already a totally different person…

“It seems, Bosom Friends have lots of different interpretations. However, if there already was a hundred or a thousand of those, there inevitably would appear the one hundred first or one thousand first; this is what is called tolerance. If you take a look at this work from the height of a painter, than historical facts used in the play may seem absolutely insignificant. However, as if born from above, some images of this play absolutely cannot be ‘cloned.’ The universe of people completely exceeds piles of most ancient books. With the help of the reality, we can trace down the history, and with the help of the history we can dispute about the reality, but is this correct?” Guo Cihong 

“There are quite a few ancient and contemporary poems glorifying close friends:
‘If in the sea of people I have a close friend, than no distances can separate us;’ ‘When close friends meet, even a thousand wineglasses is not enough;’ 
‘Do not you worry that in the forthcoming way no close friends who understand the men’s nobility in the Celestial Empire will be with you;’ 
‘A man should be ready to give away his life for a close friend;’
‘To find at least one close friend for the entire life is already quite enough.’ 
This sort of expressions of the best feelings in regards of a “close friend” tells about the unparalleled value of this composition. People needed friends at all times and more than anything they wanted to have them. A quest for a dedicated life-long friend had never stopped at any centuries. This play is contemplation about a close friend, re-thinking of the human nature; it shows the entire depth and complexity of the human character". Ren Ming

The scenery was designed by the Art Design Center of the Beijing People’s Art Theater Stage.

First Night: May 26, 2011

Media about the performance

While this story could hardly be called an easygoing one, its dances are marked with unbelievable elegance. Delineated with light and shadow silhouettes of the scenery, accomplished and laconic style of the interior decorations of the Ming epoch, and exact light design bring onto the stage the subtle smell of freshly diluted China ink.

Beijing Youth Newspaper

, 27.04.2009

16+

BOSOM FRIENDS

BEIJING PEOPLE’S ART THEATER (CHINA)

Historical drama
Script by Guo Qihong

Main Stage

2 h. 35 min.,
With intermission

    REN MING
    Director
    GUO QIHONG
    Playwright
    HUANG SHUDONG
    Stage Manager
    GUO BIN, LI QI
    Technical Director
    LUI YUMING, CHEN YONGAN, LI BIAO, REN CHONG, YIN JUNZUO, MA JINGCHEN, MA ZHENHAI, LI WANPU
    Stage
    FANG YI, SU YANAN, JIANG WEI, KANG LONG, ZHOU HE, CHEN TAO
    Lighting
    YAN NI, WANG WEIWEI
    Costume

    MENG BIN
    Lighting Designer
    BIAN YAN, CHEN FENGYAN
    Props
    HU MENG
    Sound
    YING SHU, SUN LULU
    Makeup
    YANG KAIQIANG
    Painter
    LAN QIBIAO, SU XIN
    Exhibition staffs
    XU WEIDONG, CAO YOUBIN
    Documentary staffs

    WU XINGXIANG, LI CHUNGUANG
    Photographer
    TONG MIAO
    Accountant
    YANG LIPING
    Doctor
    GUAN HUI
    International Coordinator
    MA YIDE
    Simultaneous Translation
    YANG XUAN
    Subtitles

  • FENG YUANZHENG

    Gu Zhenguan

  • ZHANG ZHIZHONG

    Wu Zhaoqian

  • WANG LEI

    Nalan Xingde

  • WANG GANG

    Ming Zhu

  • ZHANG YONGQIANG

    Xu Qianxue

  • CONG LIN

    An Tu

  • LONG YIYI

    White Cloud Maid

  • LIANG DANNI

    Apricot Flower

  • CHENG LISHA

    Wu Wenrou

  • XU CENZI

    Chilly Flower Maid

  • ZOU JIAN

    Master Tong

  • LEI JIA

    Master Niu

  • YAN WEI

    Master De

  • YANG JIAYIN

    Master Na

  • LI LIN, HE JING

    Guards

  • LEI JIA, HE JING, YAN WEI, YANG MINGXIN

    Ministers

  • LI LIN, YANG JIAYIN

    Scholars

Bosom Friends is a philosophical contemplation about friendship and try-out of human spirit based by dramatist Guo CIHONG’s will on the historical story lines of ancient Chinese literature.

The action is taking place in the early period of the Qin Dynasty.

Poet Gu Zhen Guang, in order to save his friend poet Zhao Cyang who became a guiltless victim of a bribery case, takes a job at the palace of Ming Zhu. In a commotion of spirits, Gu Zhen Guang writes a Song of Golden Thread. Thanks to friends’ efforts, Zhao Cyang gets a chance to come back from the exile, but he came back already a totally different person…

“It seems, Bosom Friends have lots of different interpretations. However, if there already was a hundred or a thousand of those, there inevitably would appear the one hundred first or one thousand first; this is what is called tolerance. If you take a look at this work from the height of a painter, than historical facts used in the play may seem absolutely insignificant. However, as if born from above, some images of this play absolutely cannot be ‘cloned.’ The universe of people completely exceeds piles of most ancient books. With the help of the reality, we can trace down the history, and with the help of the history we can dispute about the reality, but is this correct?” Guo Cihong 

“There are quite a few ancient and contemporary poems glorifying close friends:
‘If in the sea of people I have a close friend, than no distances can separate us;’ ‘When close friends meet, even a thousand wineglasses is not enough;’ 
‘Do not you worry that in the forthcoming way no close friends who understand the men’s nobility in the Celestial Empire will be with you;’ 
‘A man should be ready to give away his life for a close friend;’
‘To find at least one close friend for the entire life is already quite enough.’ 
This sort of expressions of the best feelings in regards of a “close friend” tells about the unparalleled value of this composition. People needed friends at all times and more than anything they wanted to have them. A quest for a dedicated life-long friend had never stopped at any centuries. This play is contemplation about a close friend, re-thinking of the human nature; it shows the entire depth and complexity of the human character". Ren Ming

The scenery was designed by the Art Design Center of the Beijing People’s Art Theater Stage.

First Night: May 26, 2011

Media about the performance

While this story could hardly be called an easygoing one, its dances are marked with unbelievable elegance. Delineated with light and shadow silhouettes of the scenery, accomplished and laconic style of the interior decorations of the Ming epoch, and exact light design bring onto the stage the subtle smell of freshly diluted China ink.

Beijing Youth Newspaper

, 27.04.2009

“
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