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DEMAGOGUE
16+

PRODUCTION BY HUGO ERIKKSEN, BASED ON A PLAY BY KIRILL FOKIN

New Stage
2 h. 10 min.
Without intermission
Hugo Erikssen
Director
Jutta Rotte
Art Director
Andrei Besogonov
Music

Aleksandr Limin
Choreography
Anton Pomorev
Light Design
Viktoria Otsvera
Video Design

Ekaterina Sherbatuk
Assistant Director
Daria Kulikova
Assistant Director
Olga Belanova
Executive Producer
 

ANDREI KALININ
Cleon
SEMYON SYTNIK
Pericles
DMITRY GIREV /VALENTIN ZAKHAROV
Nikias
IVAN EFREMOV
Aristophanes
SERGEY PARSHIN
Thucydides
SERGEY ELIKOV
Hyperbolus

YEFIM RODNEV
Laphetos
DARIA VANEEVA
Myrrina
ARKADY VOLGIN / IGOR VOLKOV
Anaxagoras
VALERY STEPANOV
Chairman of the Concil
VLADIMIR MALIKOV
Beggar
MATVEY PTASHNY
Demos

VLADIMIR MINAKHIN, VITALY SAZONOV, TIMUR AKSHENTSEV, MAXIM YAKOVLEV
Warriors
VITALY SAZONOV
Spartan Ambassador
EVGENIA KADOCHNIKOVA, DENIS ISAKOV, VLADIMIR SHASHKOV, ALEXANDER SHCHERBAKOV
Musicians
YEFIM RODNEV, VLADIMIR MALIKOV, VLADIMIR MINAKHIN, TIMUR AKSHENTSEV, MAXIM YAKOVLEV
Actors

Demagogue by Hugo Erikssen (fresh graduate of Shchukin Theatre Institute and an apprentice of Rimas Tuminas) is a part of Alexandrinsky Theatre’s ‘Young directors premiere at the New Stage’ programme.

A play of the same name by Kirill Fokin was an origin for the staging. Use by contemporary author of Ancient heroic plot, emphasizing similarities with modern times is a long-known literary method, which helps to underline how worries of bygone heroes are close and common to us. Such an approach is perfectly fitting and justified in Demagogue: Hero’s rise and fall; fight for power and dominance, based on true historical events of Peloponnesian War; making the choice (or just an illusion of making) between democracy and dictatorship; an answer to the question ‘What rules today’s world: money or ideology?’, while money itself became, perhaps, a basis of every ideology – all of it is no less relevant these days.

The performance premiered on September 26, 2018

16+

DEMAGOGUE

PRODUCTION BY HUGO ERIKKSEN, BASED ON A PLAY BY KIRILL FOKIN

New Stage

2 h. 10 min.,
Without intermission

  • Hugo Erikssen

    Director

  • Jutta Rotte

    Art Director

  • Andrei Besogonov

    Music

  • Aleksandr Limin

    Choreography

  • Anton Pomorev

    Light Design

  • Viktoria Otsvera

    Video Design

  • Ekaterina Sherbatuk

    Assistant Director

  • Daria Kulikova
    Assistant Director

  • Olga Belanova

    Executive Producer

  • ANDREI KALININ

    Cleon

  • SEMYON SYTNIK

    Pericles

  • DMITRY GIREV /VALENTIN ZAKHAROV

    Nikias

  • IVAN EFREMOV

    Aristophanes

  • SERGEY PARSHIN

    Thucydides

  • SERGEY ELIKOV

    Hyperbolus

  • YEFIM RODNEV

    Laphetos

  • DARIA VANEEVA

    Myrrina

  • ARKADY VOLGIN /IGOR VOLKOV

    Anaxagoras

  • VALERY STEPANOV

    Chairman of the Concil

  • VLADIMIR MALIKOV

    Beggar

  • MATVEY PTASHNY

    Demos

  • VLADIMIR MINAKHIN, VITALY SAZONOV, TIMUR AKSHENTSEV, MAXIM YAKOVLEV

    Warriors

  • VITALY SAZONOV

    Spartan Ambassador

  • EVGENIA KADOCHNIKOVA, DENIS ISAKOV, VLADIMIR SHASHKOV, ALEXANDER SHCHERBAKOV

    Musicians

  • YEFIM RODNEV, VLADIMIR MALIKOV, VLADIMIR MINAKHIN, TIMUR AKSHENTSEV, MAXIM YAKOVLEV

    Actors

Demagogue by Hugo Erikssen (fresh graduate of Shchukin Theatre Institute and an apprentice of Rimas Tuminas) is a part of Alexandrinsky Theatre’s ‘Young directors premiere at the New Stage’ programme.

A play of the same name by Kirill Fokin was an origin for the staging. Use by contemporary author of Ancient heroic plot, emphasizing similarities with modern times is a long-known literary method, which helps to underline how worries of bygone heroes are close and common to us. Such an approach is perfectly fitting and justified in Demagogue: Hero’s rise and fall; fight for power and dominance, based on true historical events of Peloponnesian War; making the choice (or just an illusion of making) between democracy and dictatorship; an answer to the question ‘What rules today’s world: money or ideology?’, while money itself became, perhaps, a basis of every ideology – all of it is no less relevant these days.

The performance premiered on September 26, 2018

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