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SEASON

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  • ABOUT THE THEATRE
    • President
    • Company
    • History
    • Director
    • Performance Сreators
    • Administration
    • The Artistic Director
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  • REPERTOIRE
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    • Cafeteria
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  • NEWS
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IBLIS AND...
16+

AZERBAIJANI STATE ACADEMIC NATIONAL DRAMA THEATER (BAKU, AZERBAIJAN) 

Mehriban Alakbarzadeh's play "Iblis" based on the tragedy by Huseyn Javid

Philosophical and deconstructive metadrama

The play is in Azerbaijani with subtitles in Russian

Main Stage
1h 15m
MEHRIBAN ALAKBARZADEH
Author and stage director
ILHAM ELKHANOGLU
Production designer
VUSAL RAGHIM
Costume Designer
AZER HAJJIASKERLI
Composer
AZER TURAN
Consultant
RAFAEL VAGIFOGHLI
Lighting designer
JEYRAN BASHARAN, NARMIN HASANOVA
Stage manager
AISHAD MAMMADOV, ANAR GEYBATOV
Iblis
ELNAR GARAYEV
Heir of Iblis-1
ELSHAN JABRAILOV
Heir of Iblis-2
ZIYA AGA
Arif
ELSEVAR RAHIMOV
Vasif
WAFA RZAEVA
Rena
ELCHIN EFENDI
Ibn Yamin
ELSHAN RUSTAMOV
Elkhan
KYAZYM ABDULAEV
Ikhtiyar Sheikh
LALA SULEYMANOVA
Haver
 
VUSAL MUSTAFAYEV
Vasif's friend
ELCHIN NURALIYEV
Sergeant, robber
TURAL IBRAGIMOV
Kanuni, bandit

The beginning of the 20th century was an epoch of general social revolutions. It was during this period that the romantic form of thinking was born and strengthened in Azerbaijani literature. The dramaturgy of Huseyn Javid, Azerbaijani poet, writer and playwright, founder and leading representative of the literary trend of romanticism in Azerbaijani literature, is built not on immediate plots and conflicts, but on the basis of global, cosmic, universal ideas. The dramas of G. Javid, the brightest representative of Azerbaijani romanticism of the 20th century, marked a new stage in Azerbaijani dramaturgy in terms of style, presentation and novelty of form. His philosophical and historical tragedies had a significant impact on the development of national theater culture, which in due time contributed to the creation of "Javid's theater", its development and deepening in this vein.

The theme of Iblis (devil), widely studied and attracting attention both in the West and in the East, in the work of Huseyn Javid is solved in the framework of the divine concept. Huseyn Javid reveals the essence of man, devil and God in a peculiar form. His ideas about man, devil and God run "red thread" through the whole work of the playwright, they contain all the power and essence of his dramaturgy.

The new production can be considered a deconstruction of Huseyn Javid's "Iblis". The play "Iblis and..." is based on the play "Iblis". It is a play in four acts (one-act metadrama in deconstruction), the plot of which centers exclusively on the relationship between God-Iblis and man. Iblis is the target, and the factor generated by him is directed at man. In other words, the play Iblis depicts the fate of people who have sold their souls to the devil. And in this is the victory of Iblis.

The doubts that arise in the soul of the philosophically minded Arif, suffocating in worldly injustice, the lust and desire for wealth latent in him, the restless spirit of the Oriental man confront him with the dilemma of the life he lives and dreams of. A man emptied from within attracts Iblis.

The perfect man presented by the Almighty, Arif, ends up selling his soul to the devil to satisfy his desires and the model of the perfect man is destroyed.

Iblis proves to God his righteousness in his struggle with man, which is the reason for his exile on Earth.


logo-rus-_2_.png

16+

IBLIS AND...

AZERBAIJANI STATE ACADEMIC NATIONAL DRAMA THEATER (BAKU, AZERBAIJAN) 

Mehriban Alakbarzadeh's play "Iblis" based on the tragedy by Huseyn Javid

Philosophical and deconstructive metadrama

The play is in Azerbaijani with subtitles in Russian

Main Stage

1h 15m,

  • MEHRIBAN ALAKBARZADEH

    Author and stage director

  • ILHAM ELKHANOGLU

    Production designer

  • VUSAL RAGHIM

    Costume Designer

  • AZER HAJJIASKERLI

    Composer

  • AZER TURAN

    Consultant

  • RAFAEL VAGIFOGHLI

    Lighting designer

  • JEYRAN BASHARAN, NARMIN HASANOVA

    Stage manager

  • AISHAD MAMMADOV, ANAR GEYBATOV

    Iblis

  • ELNAR GARAYEV

    Heir of Iblis-1

  • ELSHAN JABRAILOV

    Heir of Iblis-2

  • ZIYA AGA

    Arif

  • ELSEVAR RAHIMOV

    Vasif

  • WAFA RZAEVA

    Rena

  • ELCHIN EFENDI

    Ibn Yamin

  • ELSHAN RUSTAMOV

    Elkhan

  • KYAZYM ABDULAEV

    Ikhtiyar Sheikh

  • LALA SULEYMANOVA

    Haver

  • VUSAL MUSTAFAYEV

    Vasif's friend

  • ELCHIN NURALIYEV

    Sergeant, robber

  • TURAL IBRAGIMOV

    Kanuni, bandit

The beginning of the 20th century was an epoch of general social revolutions. It was during this period that the romantic form of thinking was born and strengthened in Azerbaijani literature. The dramaturgy of Huseyn Javid, Azerbaijani poet, writer and playwright, founder and leading representative of the literary trend of romanticism in Azerbaijani literature, is built not on immediate plots and conflicts, but on the basis of global, cosmic, universal ideas. The dramas of G. Javid, the brightest representative of Azerbaijani romanticism of the 20th century, marked a new stage in Azerbaijani dramaturgy in terms of style, presentation and novelty of form. His philosophical and historical tragedies had a significant impact on the development of national theater culture, which in due time contributed to the creation of "Javid's theater", its development and deepening in this vein.

The theme of Iblis (devil), widely studied and attracting attention both in the West and in the East, in the work of Huseyn Javid is solved in the framework of the divine concept. Huseyn Javid reveals the essence of man, devil and God in a peculiar form. His ideas about man, devil and God run "red thread" through the whole work of the playwright, they contain all the power and essence of his dramaturgy.

The new production can be considered a deconstruction of Huseyn Javid's "Iblis". The play "Iblis and..." is based on the play "Iblis". It is a play in four acts (one-act metadrama in deconstruction), the plot of which centers exclusively on the relationship between God-Iblis and man. Iblis is the target, and the factor generated by him is directed at man. In other words, the play Iblis depicts the fate of people who have sold their souls to the devil. And in this is the victory of Iblis.

The doubts that arise in the soul of the philosophically minded Arif, suffocating in worldly injustice, the lust and desire for wealth latent in him, the restless spirit of the Oriental man confront him with the dilemma of the life he lives and dreams of. A man emptied from within attracts Iblis.

The perfect man presented by the Almighty, Arif, ends up selling his soul to the devil to satisfy his desires and the model of the perfect man is destroyed.

Iblis proves to God his righteousness in his struggle with man, which is the reason for his exile on Earth.


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