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ИРДӘҮКӘ. МӨҺАҖИРЛӘР /DARK YEARS. MUHAJIRUN
16+

TATAR STATE ACADEMIC THEATER NAMED AFTER G. KAMAL (KAZAN)

Mahmud Galyau

Staging by I. Mukhamatgaliev and I. Zainiev

Main Stage
2h 30m
With intermission
FARID BIKCHANTAEV
Director
SERGEI SKOMOROKHOV
Artist
ILTAZAR MUKHAMATGALIEV
Dramatization
NURBEK BATULLA
Choreographer
ELENA SHIPOVA
Composer
TARAS MIHALEVSKY
Lighting Designer
LEYLA MUKHAMATGALIEVA
Assistant Lighting Designer
ILGIZ ZAYNIEV
Dramatization
MARINA MARYANICH
Costume Designer
ILDUS GABDRAKHMANOV (ABRAKHMANOV)
Safa
FANNUR MUKHAMETZYANOV
Safa in his youth
LEYSAN GATAULLINA
Sazhida
RADIK BARIEV
Gaziz aka
RISHAT AHMADULLIN
Vafa
LUCIA KHAMITOVA
Fatima (Paty)
ALSU GAINULLINA
Zuhra
ISKANDER KHAIRULLIN
Shamsi
ILSIYA TUKHVATULLINA
Asma
RAMIL VAZIYEV
Akram
GUZEL SHAKIROVA
Zhihan
ILTAZAR MUKHATGALIEV
Yusuf
LEYSAN RAKHIMOVA
Sylu
AIGUL ABASHEVA
Gambar
AIGUL MINNULLINA
Sabira
RAIKHAN GABDULLINA
Galima
AIGUL SHAKUROVA
Hadicha
GULCHACHAK HAMADINUROVA
Karima
MINVALI GABDULLIN
Salim
FANIS ZIGANSHIN
Sabirzyan muezzin
ELZA MURATHUZINA
Khatira
ELVIR SALIMOV
Fakhri
ARTHUR SHAIDULLIN
Ansar
RADIF GALIMOV
Midhat
ZUFAR NURTDINOV
Gaifi
ILDUS AHMETZYANOV
Garif, Miftah
ASKHAT KHISMATOV
Jamali, Himadi
AYRAT ARSLANOV
I Old Man
IREK KASHAPOV
II Old Man, Ilyas
ALMAZ SABIRZYANOV
Faizulla
LIAISAN FAIZULLINA
Fakhira
CHULPAN NAZIPOV
Saliha
ILYUSA KAMALIEVA
Miftah's daughter

Mahmud Galyau (Mahmud Gilyautdinovich Marjani) is one of the major representatives of Tatar literature of the first half of the 20th century. He was born in 1886 in the village of Tashkichu, not far from Kazan, and studied in the madrasah "Marjaniya", named after his great relative - the Tatar theologian and educator Shigabutdin Marjani.

In the late 1920s, M. Galyau wrote a four-part epic of folk life under the general title "Blood Marks", which was to reflect the history of Tatar society from the eighties of the 19th century to the October Revolution of 1917. Galyau managed to translate into Russian and print only the first two parts of the epic: "Dark Years" and "Muhajirun" (1931 and 1934), and the remaining parts were lost after his arrest (1937).

The new theatrical project of the Kamala Theater, based on these important texts for Tatar culture, will present the Tatar world of the late 19th and early 20th centuries, experiencing historical upheavals associated with the famine that swept the Volga region in the 1880s and the first general census of the Russian Empire in 1897. The authors of the performance will try to find points of contact between the text of a century ago and today's man, who, as centuries ago, is looking, waiting, striving to be happy! ?

Happiness is joy, success, prosperity, love, hope, faith...? Are precise definitions of this all-encompassing, all-absorbing, all-forgiving state, feeling, category of life possible...? Is Man able to find answers to his questions? Or is it in this eternal search that the meaning of human existence, his happiness?

The play is performed in Tatar with simultaneous translation into Russian

16+

ИРДӘҮКӘ. МӨҺАҖИРЛӘР /DARK YEARS. MUHAJIRUN

TATAR STATE ACADEMIC THEATER NAMED AFTER G. KAMAL (KAZAN)

Mahmud Galyau

Staging by I. Mukhamatgaliev and I. Zainiev

Main Stage

2h 30m,
With intermission

  • FARID BIKCHANTAEV

    Director

  • SERGEI SKOMOROKHOV

    Artist

  • ILTAZAR MUKHAMATGALIEV

    Dramatization

  • NURBEK BATULLA

    Choreographer

  • ELENA SHIPOVA

    Composer

  • TARAS MIHALEVSKY

    Lighting Designer

  • LEYLA MUKHAMATGALIEVA

    Assistant Lighting Designer

  • ILGIZ ZAYNIEV

    Dramatization

  • MARINA MARYANICH

    Costume Designer

  • ILDUS GABDRAKHMANOV (ABRAKHMANOV)

    Safa

  • FANNUR MUKHAMETZYANOV

    Safa in his youth

  • LEYSAN GATAULLINA

    Sazhida

  • RADIK BARIEV

    Gaziz aka

  • RISHAT AHMADULLIN

    Vafa

  • LUCIA KHAMITOVA

    Fatima (Paty)

  • ALSU GAINULLINA

    Zuhra

  • ISKANDER KHAIRULLIN

    Shamsi

  • ILSIYA TUKHVATULLINA

    Asma

  • RAMIL VAZIYEV

    Akram

  • GUZEL SHAKIROVA

    Zhihan

  • ILTAZAR MUKHATGALIEV

    Yusuf

  • LEYSAN RAKHIMOVA

    Sylu

  • AIGUL ABASHEVA

    Gambar

  • AIGUL MINNULLINA

    Sabira

  • RAIKHAN GABDULLINA

    Galima

  • AIGUL SHAKUROVA

    Hadicha

  • GULCHACHAK HAMADINUROVA

    Karima

  • MINVALI GABDULLIN

    Salim

  • FANIS ZIGANSHIN

    Sabirzyan muezzin

  • ELZA MURATHUZINA

    Khatira

  • ELVIR SALIMOV

    Fakhri

  • ARTHUR SHAIDULLIN

    Ansar

  • RADIF GALIMOV

    Midhat

  • ZUFAR NURTDINOV

    Gaifi

  • ILDUS AHMETZYANOV

    Garif, Miftah

  • ASKHAT KHISMATOV

    Jamali, Himadi

  • AYRAT ARSLANOV

    I Old Man

  • IREK KASHAPOV

    II Old Man, Ilyas

  • ALMAZ SABIRZYANOV

    Faizulla

  • LIAISAN FAIZULLINA

    Fakhira

  • CHULPAN NAZIPOV

    Saliha

  • ILYUSA KAMALIEVA

    Miftah's daughter

Mahmud Galyau (Mahmud Gilyautdinovich Marjani) is one of the major representatives of Tatar literature of the first half of the 20th century. He was born in 1886 in the village of Tashkichu, not far from Kazan, and studied in the madrasah "Marjaniya", named after his great relative - the Tatar theologian and educator Shigabutdin Marjani.

In the late 1920s, M. Galyau wrote a four-part epic of folk life under the general title "Blood Marks", which was to reflect the history of Tatar society from the eighties of the 19th century to the October Revolution of 1917. Galyau managed to translate into Russian and print only the first two parts of the epic: "Dark Years" and "Muhajirun" (1931 and 1934), and the remaining parts were lost after his arrest (1937).

The new theatrical project of the Kamala Theater, based on these important texts for Tatar culture, will present the Tatar world of the late 19th and early 20th centuries, experiencing historical upheavals associated with the famine that swept the Volga region in the 1880s and the first general census of the Russian Empire in 1897. The authors of the performance will try to find points of contact between the text of a century ago and today's man, who, as centuries ago, is looking, waiting, striving to be happy! ?

Happiness is joy, success, prosperity, love, hope, faith...? Are precise definitions of this all-encompassing, all-absorbing, all-forgiving state, feeling, category of life possible...? Is Man able to find answers to his questions? Or is it in this eternal search that the meaning of human existence, his happiness?

The play is performed in Tatar with simultaneous translation into Russian

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National Drama Theatre of Russia (Alexandrinsky Theatre)

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