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CREATURE
18+

Nikita Kobelev's play
based on the play of the same name by Valery Semyonovsky (based on the novel The Petty Demon by F. K. Sologub)

New Stage
2 h. 35 min.
With intermission
NIKITA KOBELEV
Director
MIKHAIL KRAMENKO
Artist
МARINA BUSYGINA
Costume designer
АNDREI ABRAMOV
Lighting Designer
ILYA STARILOV
Video artist 
КATERINA NEZVANOVA
Choreographer
YULIA MITITELU
Executive Producer
ANDREI MATYUKOV
Аssistant director
SOFIA MATVEEVA
Аssistant director
LEONID GRISHCHENKO, ELDAR ZAINULLIN
Sound directors
IVAN EFREMOV
Аrdalon Peredonov, teacher of literature
JANINA LAKOBA
Varvara, his concubine
OLGA BELINSKAYA
Prepolovenskaya, emancipated woman
MATVEY PTASHNY
Pavlushka, physical education teacher
STEPAN BALAKSHIN
Nikolai Rutilov, music teacher
ANNA SELEDETS
Yulia, Rutilov's wife
VITALY SAZONOV
Аntosha, their son
ANASTASIA PANTELEEVA
Lyudmila, Rutilov's sister
ANASTASIA GREBENCHUK
Valeria, Rutilov's sister
АNNA STEPANOVA
Daria, Rutilov's sister
MARIA KUZNETSOVA
Кokovkina, a virtuous woman
VLADIMIR MALIKOV
Sasha Pylnikov, orphan
ANDREI MATYUKOV
Gymnasium director
PETER SEMAK /SERGEY MARDAR
His Excellency
SERGEY ELIKOV
Doctor

The play is the winner of the Star of Theater award in the category Best play. Small Form (2022).

The author of the music to the songs is Nikolai Orlovsky.
The music of The Cinematic Orchestra sounds in the performance.
The scenery was made by Art-Dec LLC, costumes were made by Nika and Partners LLC.
We would like to thank Svetlana Smirnova, People's Artist of Russia, for her participation in the filming as the Countess.

Published in the early twentieth century, Sologub's novel The Petty Devil, sold out unprecedented in those days and for such prose circulation of ten thousand copies. The story of insanity gymnasium teacher of fine arts Ardalon Borisovich Peredonov became a diagnosis of the time, and its symbol. The Petty Devil completes the classic Russian prose, and its protagonist Peredonov - sinister and in some places grotesquely caricatured mixture of a dozen heroes of great Russian literature from Akaki Akakievich and Pechorin to Svidrigailov and "man in a case" Belikov. The popularity of the novel was such that the concept of "peredonovshchina" came into use.

The play "Creature" was written by theater critic and playwright Valery Semenovsky in 1999, on the eve of the new millennium, almost a hundred years after the novel was written.

Peredonov, on occasion and without "falling" to the great Russian literature, quoting Derzhavin, Pushkin, Dostoevsky for every outrage - as an image of our largely manipulative attitude to the Russian classics, which sometimes cover disreputable deeds and intentions.

Valery Semenovsky wrote in the preface to his play: "Madness covers everyone. Because the "peredonovskoe" rule - to blame others for one's sins, to repent for nothing, to take responsibility for nothing - is the norm of common life here, its organism. Here you can sing Pushkin and spit into eternity. In one breath".

Director Nikita Kobelev: "In my opinion, in this play there is a clash between the classical literary canon, which is very important for the Russian mentality and the way it works today, and the cynicism and immorality of the play's characters, who justify their actions with this very canon. I'm interested in how much the classics really protect and save us today, or whether they have become just a tool for various kinds of manipulation".

For Nikita Kobelev Creature - the first work at the Alexandrinsky Theater. In 2011, Kobelev graduated from the directing faculty of GITIS (workshop of O. L. Kudryashov). From 2012 to 2019 he worked as a full-time stage director at the Mayakovsky Theater. From 2012 to 2019 he worked as a full-time stage director at the Mayakovsky Theater. From 2017 to 2021 he was a teacher at the Mindaugas Karbauskis Workshop at the acting faculty of RATI-GITIS. His creative biography includes productions based on classical and modern Russian literature (An Ordinary Story based on the novel by I. Goncharov, St. Mark's Campanile based on the novel by M. Shishkin) and drama - based on plays by Brecht, Gorenstein, Petrushevskaya and Bogoslavsky. Only in the Mayakovsky Theater. The director has staged more than ten productions at the Mayakovsky Theater alone. He has staged in theaters in Moscow, St. Petersburg, Latvia and Estonia.

Premiere - January 15, 2022

Media about the

Peredonov, played by Ivan Yefremov, has a deep, beautiful voice in stark contrast to his function in the action. What drives this character? There is a feeling that the whole world, starting with the title character, is subject to bad inertia. The action itself is perceived so far as a kind of concept.

Nadezhda Tarshis. Shattered

St. Petersburg Theater Journal (blog) 23.01.2022,

What does Peredonov, shown in "The Creature", desire? The place of the inspector, a favorable marriage - it is obvious. A life of prosperity. But not only that. To break out of boundaries, to reveal to himself and the world the very "the initial trait of a deity" from Derzhavin's lines. And in the finale - to rule over destinies and take the place of the creator. And this is already a form of madness.

Yevgeny Haknazarov. Creatures of uncertain outlines: the Alexandrinsky Theater spit on Russian literature and all of us

Newspaper "Kultura" 15.02.2022,

18+

CREATURE

Nikita Kobelev's play
based on the play of the same name by Valery Semyonovsky (based on the novel The Petty Demon by F. K. Sologub)

New Stage

2 h. 35 min.,
With intermission

  • NIKITA KOBELEV

    Director

  • MIKHAIL KRAMENKO

    Artist

  • МARINA BUSYGINA

    Costume designer

  • АNDREI ABRAMOV

    Lighting Designer

  • ILYA STARILOV

    Video artist

  • КATERINA NEZVANOVA

    Choreographer

  • YULIA MITITELU

    Executive Producer

  • ANDREI MATYUKOV

    Аssistant director  

  • SOFIA MATVEEVA

    Аssistant director

  • LEONID GRISHCHENKO, ELDAR ZAINULLIN

    Sound directors

  • IVAN EFREMOV

    Аrdalon Peredonov, teacher of literature

  • JANINA LAKOBA

    Varvara, his concubine

  • OLGA BELINSKAYA

    Prepolovenskaya, emancipated woman

  • MATVEY PTASHNY

    Pavlushka, physical education teacher

  • STEPAN BALAKSHIN

    Nikolai Rutilov, music teacher

  • ANNA SELEDETS

    Yulia, Rutilov's wife

  • VITALY SAZONOV

    Аntosha, their son

  • ANASTASIA PANTELEEVA

    Lyudmila, Rutilov's sister

  • ANASTASIA GREBENCHUK

    Valeria, Rutilov's sister

  • АNNA STEPANOVA

    Daria, Rutilov's sister

  • MARIA KUZNETSOVA

    Кokovkina, a virtuous woman

  • VLADIMIR MALIKOV

    Sasha Pylnikov, orphan

  • ANDREI MATYUKOV

    Gymnasium director

  • PETER SEMAK /SERGEY MARDAR

    His Excellency

  • SERGEY ELIKOV

    Doctor

The play is the winner of the Star of Theater award in the category Best play. Small Form (2022).

The author of the music to the songs is Nikolai Orlovsky.
The music of The Cinematic Orchestra sounds in the performance.
The scenery was made by Art-Dec LLC, costumes were made by Nika and Partners LLC.
We would like to thank Svetlana Smirnova, People's Artist of Russia, for her participation in the filming as the Countess.

Published in the early twentieth century, Sologub's novel The Petty Devil, sold out unprecedented in those days and for such prose circulation of ten thousand copies. The story of insanity gymnasium teacher of fine arts Ardalon Borisovich Peredonov became a diagnosis of the time, and its symbol. The Petty Devil completes the classic Russian prose, and its protagonist Peredonov - sinister and in some places grotesquely caricatured mixture of a dozen heroes of great Russian literature from Akaki Akakievich and Pechorin to Svidrigailov and "man in a case" Belikov. The popularity of the novel was such that the concept of "peredonovshchina" came into use.

The play "Creature" was written by theater critic and playwright Valery Semenovsky in 1999, on the eve of the new millennium, almost a hundred years after the novel was written.

Peredonov, on occasion and without "falling" to the great Russian literature, quoting Derzhavin, Pushkin, Dostoevsky for every outrage - as an image of our largely manipulative attitude to the Russian classics, which sometimes cover disreputable deeds and intentions.

Valery Semenovsky wrote in the preface to his play: "Madness covers everyone. Because the "peredonovskoe" rule - to blame others for one's sins, to repent for nothing, to take responsibility for nothing - is the norm of common life here, its organism. Here you can sing Pushkin and spit into eternity. In one breath".

Director Nikita Kobelev: "In my opinion, in this play there is a clash between the classical literary canon, which is very important for the Russian mentality and the way it works today, and the cynicism and immorality of the play's characters, who justify their actions with this very canon. I'm interested in how much the classics really protect and save us today, or whether they have become just a tool for various kinds of manipulation".

For Nikita Kobelev Creature - the first work at the Alexandrinsky Theater. In 2011, Kobelev graduated from the directing faculty of GITIS (workshop of O. L. Kudryashov). From 2012 to 2019 he worked as a full-time stage director at the Mayakovsky Theater. From 2012 to 2019 he worked as a full-time stage director at the Mayakovsky Theater. From 2017 to 2021 he was a teacher at the Mindaugas Karbauskis Workshop at the acting faculty of RATI-GITIS. His creative biography includes productions based on classical and modern Russian literature (An Ordinary Story based on the novel by I. Goncharov, St. Mark's Campanile based on the novel by M. Shishkin) and drama - based on plays by Brecht, Gorenstein, Petrushevskaya and Bogoslavsky. Only in the Mayakovsky Theater. The director has staged more than ten productions at the Mayakovsky Theater alone. He has staged in theaters in Moscow, St. Petersburg, Latvia and Estonia.

Premiere - January 15, 2022

Media about the

Peredonov, played by Ivan Yefremov, has a deep, beautiful voice in stark contrast to his function in the action. What drives this character? There is a feeling that the whole world, starting with the title character, is subject to bad inertia. The action itself is perceived so far as a kind of concept.

Nadezhda Tarshis. Shattered

St. Petersburg Theater Journal (blog) 23.01.2022,

“

What does Peredonov, shown in "The Creature", desire? The place of the inspector, a favorable marriage - it is obvious. A life of prosperity. But not only that. To break out of boundaries, to reveal to himself and the world the very "the initial trait of a deity" from Derzhavin's lines. And in the finale - to rule over destinies and take the place of the creator. And this is already a form of madness.

Yevgeny Haknazarov. Creatures of uncertain outlines: the Alexandrinsky Theater spit on Russian literature and all of us

Newspaper "Kultura" 15.02.2022,

“
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